Books:
2019 Lived in Bars |Stubborn Mule Press
Hybrid prose & poetry full-length collection
2019 Roots Grew Wild |Kingdoms in the Wild Press
Poetry chapbook; Winner: 2018 KITW Poetry Prize
Poetry and Prose:
Creative Nonfiction
2022 “Pineapple Shakes” | Pioneertown
2021 “Dinner and a Movie, or How to Not to Feel Poor for One Night” | Sky Island Journal
2021 “1-800-COMEPICKMEUPMOM” | Canned
2021 “To the Stars” | Under the Gum Tree
2020 “Something About Perspective” | The Manifest Station
Cross-genre / Creative Prose
2019 “Drew Barrymore Was Everything, and Then She Was Stabbed Three Times and Hanged From a Tree” |Drunk Monkeys
Creative Nonfiction
2019 “Aversion” |Mom Egg Review
Cross-genre / Creative Prose
2018 “The Funeral” |Crab Fat Magazine
CNF flash, anthologized in “Best of 2018”
Short Fiction:
2019 “The Mission Inn” |Fiction Southeast
Flash fiction
The Story Behind the Story: Behind “The Mission Inn”
2019 “The Bum Steer” |Abstract Magazine
Flash fiction
2018 “Reflections While Driving on the New Jersey Turnpike” |The Esthetic Apostle
Flash fiction
2018 “Muted” |(mac)ro(mic)
Flash fiction
2018 “Roots” |Flash Fiction Magazine
Flash fiction
2018 “A Love Letter to Buffy Summers” FreezeRay
Flash fiction
2018 “The One and Only” |Lou Lit Magazine
Short fiction
2018 “Oenaville, Texas” |Toasted Cheese
Flash fiction
2006 “Anatomy of a Car Crash”| Synecdoche
Short fiction
Poetry:
2022 “Pandemic Growth Chart” | Train River (forthcoming in special COVID Anthology)
2021 “Creationism Theory;” “Curling Iron Anecdote;” “Everyone is a Sex Trafficker” | Cathexis Northwest Press
2021 “To my daughters, as two lost souls on the sinking Titanic, third party witnesses to the love saga and imminent death of Jack Dawson and Rose DeWitt Bukater” | High Shelf Press
2021 “This house” | Great Weather For Media
2020 “There’s This Particular Way My Mother Cooks” | South Broadway Ghost Society (printed in the Thought For Food Anthology benefiting Denver Food Rescue)
2020 “To the Body That No Longer Feels Sexual” |Suspect Press
2018 “Souvenir,” “Trestling” |Soft Cartel
2018 “Lou Ella” |K’in
2018 “World,” “On the Border” |The Cerurove
2018 “Nostalgia for Future Tense” |The Pangolin Review
2018 “Skinless,” “Leathered” |Rag Queen Periodical
2018 “It’s Jazz Night” |COUNTERCLOCK
*Nominated: Best of the Net
2018 “Mermaid Fins” | Literary Mama
2017 “Six Days of Waiting” |Mothers Always Write
2017 “Your Mother’s Womb” |Rat’s Ass Review
*Nominated: Best of the Net
2017 “Arduous Vessels” |So to Speak
2016 “Linger” |Shark Reef
2015 “But We All Lost our Virginities in the Orange Groves” |Rat’s Ass Review
2014 “Because I Say I Hate the Ocean, Except When I’m Alone” |Split Lip Magazine
2007 “Buffer” |Synecdoche
Essays and Articles:
2021 “Elegy for my magical milk-producing breasts” | Mutha Magazine
2020 “VHS Horror Culture: Scream as the Ultimate Millennial Hangout Movie” | Bright Wall/Dark Room
Creative Film Analysis
2020 “I Loved Breastfeeding My Child—Until I Didn’t” | Motherly
Personal essay
2020 “One Perfect Episode: Dead Man’s Party” | Drunk Monkeys
Creative Film Analysis
2015 “A Review of Susan Lewis’ How to be Another” | The Compulsive Reader
Book review
2007 “I [deconstruct] Huckabees” |Synecdoche
Critical essay
Papers in Progress:
“Monstrous Masculinity: Defining the Gothic Origins of Buffy the Vampire Slayer’s Toxic Male Tropes” | Ongoing research
